This would certainly rock our boat!


It’s been nearly fifteen years since Aaliyah died tragically in a plane crash and her popularity has never seemed to wane since that time. Regarded as one of the first artists to incorporate a futuristic sound that is now liberally borrowed by several artists, she is recognized as a singer truly ahead of her time.


After her death, a CD was released with un-released material, but there were rumblings that there was far more available in her vault and now comes word that a second posthumous album is on the horizon. The problem has always been the family of Aaliyah Houghton, which has blocked most releases of any new material. Producer Timbaland, however, has just proclaimed that new music is indeed coming very soon and that fans will love the new releases just as much as her earlier work. He had this to say about new music….



“Aaliyah music only work with its soulmate, which is me.”



Perhaps he will include it in upcoming Empire shows next season?


Stay tuned…


Triston is an American jetset performance artist, writer, event organizer, and activist based in Europe. As a freelance journalist, he has covered both the underground and mainstream aspects of the arts, culture, music, entertainment, travel, fashion and Fashion Week in several cities, including New York, London, Berlin, Istanbul, Sydney, Bangkok, Hong Kong, and Tokyo to name a few. He has been published in The Huffington Post, Trespass (London), Adaras Magazine (Miami) as well as featured in publications such as the New York Times, Vogue Italia, Turkish Huriyet and other on-line and print magazines in the U.S. and internationally. He recently released his memoir on life in Europe, 'Heaux Confessionals'. As a solo performer and with his band $kandal Du$t, he has toured in some of the world's most renowned clubs, simultaneously maintaining an underground renaissance, blurring the lines of all that is traditional and leaving his indelible, and ultimately unforgettable impression. There is no divide.

Brace yourself.


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