As Iggy Azalea’s career (or at least what she likes to refer to as one) continues to descend and fall apart, allegations are being thrown around that may signal the end is almost near and we can all thank the stars above for that.




Or maybe all we have to do is thank Britney Jean Spears.




The two of them thought they were about to have the summer jam of the year with the song ‘Pretty Girls’, but no amount of splashy videos and marketing could make this song a hit and now Azalea is opining as to why it is not #1 on the Billboard charts.


“It’s difficult to send a song up the charts without additional promo and TV performances etc. Unfortunately I’m just featured.”





(the problem – if you ask Verbal SLAPS – is not the song. It is the title. Where were the pretty girls?!)

but we digress…


For those that cannot read between the lines and snort them, allow is to break it down. In other words, Whiggy blames Britney for sitting on her ass and allowing the song to languish on the charts. But The Iggster didn’t stop there, answering her critics with this…


“My comment is factual, it applies to any song. I don’t have to suck the woman’s a**hole 24/7 to be her friend, do I? Bye, girls.”



oh, look! it’s the third White Chick and a deer in headlights…


So now it appears that Iggy invested in those new ass and tittyballs for nothing.





But she can always fall back to some corner work. Get Kylie on speed dial, Iggy!

Triston is an American jetset performance artist, writer, event organizer, and activist based in Europe. As a freelance journalist, he has covered both the underground and mainstream aspects of the arts, culture, music, entertainment, travel, fashion and Fashion Week in several cities, including New York, London, Berlin, Istanbul, Sydney, Bangkok, Hong Kong, and Tokyo to name a few. He has been published in The Huffington Post, Trespass (London), Adaras Magazine (Miami) as well as featured in publications such as the New York Times, Vogue Italia, Turkish Huriyet and other on-line and print magazines in the U.S. and internationally. He recently released his memoir on life in Europe, 'Heaux Confessionals'. As a solo performer and with his band $kandal Du$t, he has toured in some of the world's most renowned clubs, simultaneously maintaining an underground renaissance, blurring the lines of all that is traditional and leaving his indelible, and ultimately unforgettable impression. There is no divide.

Brace yourself.


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